Home
News
Venues
St George's Chamber Orchestra
Londinium
Queens' College Chapel Choir
Conductors
Guest Speakers
Gallery
Archive
Passion of Puccini-Leighton Hse
Cycles
Der fliegende Holländer
Fidelio
Die Fledermaus
Synopsis
Vernon Ellis - Fledermaus
Royal Philharmonic Orchestra.
The Philharmonia Chorus
Archive Biogs
Friends
Supporting LLO
Contact us
Links
Auditions
     
 


The Philharmonia Chorus exists to perform choral works to the highest international standard with the Philharmonia Orchestra and other orchestras of similar standing. The Chorus is based in London but also performs extensively across the UK and overseas.
 

                    

Philharmonia Chorus History

The Philharmonia Chorus was founded by Walter Legge in 1957 to record Beethoven's Ninth Symphony with the Philharmonia Orchestra under Otto Klemperer.  It quickly established itself as one of Europe’s premier choirs and has worked with many leading conductors and orchestras, both in the UK and overseas.  

Its extensive repertoire encompasses the mainstream choral masterpieces and opera, as well as more recent music.  Highlights during the past few years  have included performances of Verdi’s Requiem with both Valery Gergiev and Riccardo Muti, Rachmaninov’s The Bells with Vladimir Jurowski, Beethoven’s Ninth Symphony with Sir Charles Mackerras and Lohengrin and Der Freischütz at the Edinburgh Festival.

Recent or forthcoming performances include Dvorak’s Requiem and Stabat Mater, Mendelssohn’s Elijah, the Brahms Requiem (under Lorin Maazel), the Berlioz Te Deum and Leonard Bernstein’s Kaddish Symphony.  Concerts have been given in Istanbul, King’s College Chapel, Cambridge and St David’s Hall, Cardiff, in addition to the main London venues.  September 2008 saw the Chorus in Spain to take part in a recording of Frédéric Chaslin’s new opera, Wuthering Heights, conducted by the composer.  

Reviews

“A slick performance of Brahms's so-called Haydn Variations provided an overture to the German Requiem. Here Maazel's clarity of direction and long-sighted view of the work drew the best from a rigorously trained Philharmonia Chorus. Theirs was the might and the power to move: in the easeful breathing of the opening blessing for those who mourn, and on to the powerful shifts of tempo and pacing as they sang of withering grass and fading flowers”.

The Times,July 1st 2008, Hilary Finch of Brahms' German Requiem at the Royal Festival Hall
performed on 28th June for which the Philharmonia Chorus was trained by Stefan Bevier. 
 


Appearing in: Die Fledermaus

For The Philharmonia Chorus website please click here